Opposition and complement in everything. Good idea ! I have some problem with the white part, thought. I think it is not in place. I would have tried something that makes less of a barrier, either just black, or just green or smooth transition of some sort.
thank you. i understand perfectly what you said. in fact i started by having a problem with it myself. and tried what you said- among other- to change it. then i decided to use the images as they are. now it does not bother me anymore, i think it serves the story. it's a sort of an energy wall, that prevents or helps (depends how you see it) the communication. un cri trop assourdissant, sinon...
thank you for looking and commenting, much appreciated!
I really do like this series. Your images are highly emotionnal -but untold, unclear of what exactly is the emotion- and that make the dialogs possible, and interesting, and pregnant.
it always amazes me to hear it. as much as in real life i hate ambiguity and half-truths, as much as in art all is unsaid. maybe this duality is for my balance, for my sanity.
It's like he's screaming life into you. The green is so sudden next to the black and white. Surprising, given your preference for soft, blurred transitions.
i'm full of contradictions. i say it simply, as it is a fact, creating me many problems too. i'm fascinated by violence, by hard contrasts, visual and conceptual, but refuse to use it as a dramatization tool, in my images. i think i'm overcareful about the image i give. not a good thing, i know..
i was working on our collab yesterday, i think i've got something interesting.
I would have tried something that makes less of a barrier, either just black, or just green or smooth transition of some sort.
then i decided to use the images as they are.
now it does not bother me anymore, i think it serves the story. it's a sort of an energy wall, that prevents or helps (depends how you see it) the communication. un cri trop assourdissant, sinon...
thank you for looking and commenting, much appreciated!
The green is so sudden next to the black and white. Surprising, given your preference for soft, blurred transitions.
i'm fascinated by violence, by hard contrasts, visual and conceptual, but refuse to use it as a dramatization tool, in my images. i think i'm overcareful about the image i give.
not a good thing, i know..
i was working on our collab yesterday, i think i've got something interesting.